Category Archives: online advertising

Going native.

“Native advertising”—what we used to call advertorials in the world of dead-tree media—are having a moment, and part of me hopes it doesn’t last much longer than that.

It’s somewhat impolitic of me to say that in a public (if lightly trafficked) forum, since my agency, like most others, is dabbling in the medium for some of our clients.

The premise is simple enough: disguise the fact that your ad is an ad, make it mimic the editorial format it’s placed in, and readers will lower their guard and be more receptive to your message. People consume media for its content, right? Ads are something to be endured, ignored or skipped. Make your ad look like editorial content and people will engage.

Well, maybe.

Since this blog exists in a data-free zone, I can’t verify one way or another if this ploy works in digital media. I know, or think I know, it doesn’t work very well in print, even though you see it all the time, especially in lifestyle publications. Usually it’s what is absurdly termed a “value added” media buy: put an ad in our rag,  and we’ll put some pseudo-editorial focusing on your brand nearby.

In practice, what happens is either a) low-level creatives at the agency are assigned the advertorial, which does nothing for their portfolio and which calls for journalistic skills they likely don’t have; or b) the publication assigns its own hacks, who do an equally execrable job. To make it worse, all this ad-plus-editorial crap is usually segregated in its own free-standing section within the mag, making it that much easier to skip the whole thing. Advertisers still do it, because it feels like getting something for nothing, but most people I know just ignore this stuff, and are under no delusions about what it is.

But what about digital?

Well, the nature of the medium is such that, frankly, it’s easier to disguise your paid-media identity. Aggregating sites like Buzzfeed and Huffington Post are very busy visually, and it creates ripe opportunities for subterfuge. Here’s one example, from Buzzfeed:

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Man, you gotta look real hard to realize there’s a wolf among those sheep. That Intel…thing in the lower right looks pretty legit. And I’m guessing it got a lot of clicks. But to what end? No one likes getting played for a sucker, and clicking on what you think is a tech article and winding up looking at some bogus Intel corporate “content”—how does that build brand loyalty?

Nowhere in this screed have I even touched the ethics of all this, because advertising people talking about ethics is like 1-percenters talking about food stamps. But still, let’s be clear: native advertising is, by its nature, disingenuous–the Devil in disguise.

And while ads–real ads– aren’t always as truthful as they could be, they make no attempt to be anything but what they are: an exercise in selling, a tool of commerce. People know an ad when they see it, and whether they pay attention or not has to do with whether they care about what’s being sold and the craft of the message itself. That, ultimately, is something I believe in my bones: that good ads go naked into the world, armed with nothing but words and pictures, and, faced with indifference and scorn, somehow prevail.

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Ghosts in the machine.

Ads, like haircuts and predictions, are prone to looking bad when the world changes in unanticipated ways, which is to say: constantly. The saving grace for ads was always their impermanence.

To everyone except for archivists or hipsters leafing through old issues of Playboy waiting their turn in the chair at Freeman’s Barbershop, ads cease to exist when they stop running. This is a mercy when you have created ads that guilt-tripped women for making bad coffee for their hubbies; or announced the arrival of picturephones prematurely (twice). Unless you stupidly cop to the act in a blog (D’oh!), you can escape history’s judgment.

Not so now. The ease of search and the speed of change make instant and highly visible jokes out of web sites, apps and the other trappings of online marketing. They are ghosts in the machine, orphaned by change.

Here are some of my favorites:

They pulled the product in 6 weeks. The page endures.

You can surf the site. You just can't buy the car.

Seems to be lacking a tab for "hateful diatribes."

I like the "Stay up to date with Michele" part.

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That rarest of things: a good banner ad

Instead of a takeover, a dripover. Much more interesting, much less intrusive.